Contains biographical information, mostly drawn from earlier secondary sources, but useful for an overview of the artist’s life.ĭippie, Brian W. Study of Remington’s contributions as an author. Thoughtful analysis of Remington’s artistic development, from his work as an illustrator to a fine arts painter/sculptor.īuckland, Roscoe L. Abrams, Inc., (in association with the National Museum of American Art, Smithsonian Institution), 1989. Provides a catalogue raisonné of his nocturnes, important essays on the significance of Remington’s accomplishments, and conservators’ notes.īallinger, James K. Publication accompanying an exhibition of Remington’s night paintings. Washington, D.C., Princeton and Oxford: National Gallery of Art and Princeton University Press, 2003. Sharpe and Alexander Nemerov, Frederic Remington: The Color of Night. 7.74 Selected, Annotated Bibliography on Frederic RemingtonĪnderson, Nancy K., with contributions by William C. Guthrie Nicholson, rancher at Four Bear, Meeteetse, Wyoming.

and son in memory of their father/ grandfather G.J. During his short life, Remington produced more than 3,000 drawings and paintings, 22 bronze sculptures cast in editions, two novels (one of which was adapted to the stage), and more than 100 magazine articles and stories.įrederic Remington. After 1900, Remington received critical acclaim for his tonal paintings of night scenes.įrederic Remington was 48 years old when he died December 26, 1909, from complications following an appendectomy. He lightened his palette and placed his colors as they would be affected by light. Later in his career, Remington experimented with the perception of color. Stirred by action, Remington designed his sculptures to feature movement-challenging the limits of the medium. His bronze The Broncho Buster represents a human struggle to control nature, and has become a classic symbol of the American West. Remington succeeded in both two-dimensional and three-dimensional artworks. His success as an illustrator earned him the freedom to define his own themes, and he matured as an artist.įrederic Remington (1861 – 1909). Painting illustrations in black and white, such as The Mess Tent at Night, also guided him in controlling values, the degree of light and darkness. His illustrational drawings trained him to use line effectively. His drawings of cavalry troops, cowboys, and Indians filled popular periodicals such as Harper’s Weekly and Collier’s. His ranch and other business ventures in Kansas City, Missouri, being unsuccessful, Remington ended his only western residence and then traveled in the Southwest.īy the mid-1890s, Remington became one of the most popular and successful illustrators of the age. On October 1, 1884, he married Eva Adele Caten of Gloversville, New York. In 1883, he bought and worked a sheep ranch in Peabody, Kansas. In 1881, he made his first trip west to Montana Territory and subsequently sold his first sketch of cowboys to Harper’s Weekly.

After his father died, he left school and started working as a reporter.įrederic Remington (1861 – 1909). Remington attended the Yale College School of the Fine Arts for three semesters beginning in 1878, and also played football on the Yale team. Born October 4, 1861, in Canton, New York, Frederic was the only child of Seth Pierre Remington and Clara Bascomb Sackrider Remington. In some of his best works, conflict was not only the subject, but also created the aesthetic tension of the artwork.Īlthough closely identified with the American West, Remington actually spent much of his life in the East. Remington’s subjects, the military, the cowboy, and the American Indian, centered on conflict. In both painting and sculpture, he portrayed the action and drama of the West. The art of Frederic Remington defined the American West during his lifetime and played a major role in creating the popular image of the West that persists today. Frederic Remington in his New Rochelle studio, 1905.

Frederic remington paintings